Photographers

Our Retro Ride Gallery thrives on powerful photo motifs – and the people who capture them with passion.

Our team of photographers combines craftsmanship, artistic vision and a love of mobility history.

Here you will discover not only the impressive photo motifs of each egg, but also the individual photographs and styles of each artist.

Now scroll down and find out more.

Photography has accompanied me throughout my life since I was 8. For a long time, it was also a side project, like a good friend who's just there and influences you much more than you realize.

I was born in New York, grew up in Hamburg, lived in Caracas for a long time and have been living in Potsdam for several years.
The atmosphere of these and some other places has inspired me, in my perception, in my consciousness and therefore also and especially in my photography.

And I learned a trade, I am a journeyman carpenter, I love details, especially technical details, structure, color, surfaces, I love dynamics and always details.

For 15 years I have been working as a freelance photographer, focusing on historic vehicles and motorsports, but my portfolio also includes portraits, events, travel, etc.

For all photographic topics, I say, freely adapted from Antoine de Saint-Exupéry:
“You can only take good photographs with your heart.”

If you have any questions, I would love to hear from you!

My name is Mario De Rosa, born in 1968, and my motto is: "Photography is like fishing: you need a lot of patience!"

Translated, this means that I take a lot of time to compose the shot, sometimes waiting a long time until the last person has left the frame or the lighting situation is just right.

The focus of my work is on depicting historic vehicles. Ideally, in a context appropriate to them. This might be a half-timbered house in the background or an ancient marketplace where the vehicle is located. Stylistically, my photographs sometimes have a documentary feel, as I like to depict artifacts in their entirety. With vehicles, for example, I find it important to capture their lines and the resulting body design in all their beauty.

To achieve this, I use both modern and older methods. All my black-and-white photographs, for example, were shot on conventional film. The impression a classic vehicle creates on negative film is incomparable to that of a digital image.

The emulsion's naturally fine grain creates an image effect that cannot be achieved through digital imitation. You can find me with my camera either at classic car events or in museums, because the "hunt" for the ultimate subject never ends.

Creativity was never a phase for Lukas Ahrens – it was there from the beginning.

Born and raised in Einbeck, he began drawing at an early age and hardly let a day go by without a sketchbook.

His first steps as a freelancer led him to product photography – but it quickly became clear:
"It wasn't the product that fascinated him, but the play with light, perspective and atmosphere."